On Twitter today, I tweeted a quote from my new book Writing in Overdrive: “It’s a paradox but it’s true: The faster you write, the better you write.” One of my friends on Twitter replied, “Not true for everybody.”
You know what? She’s right. There are exceptions to this rule. While I am convinced that most people actually write better when they write faster, I do acknowledge that this principle won’t work for everyone. Here’s what I wrote in Chapter 1 of Writing in Overdrive:
“To be sure, there are some truly great writers who write with painstaking slowness, polishing each sentence to perfection before proceeding to the next. Kurt Vonnegut, Dean Koontz, and George R. R. Martin are exemplars of this approach. If writing slowly works for you, who am I to tell you to change? I’m not saying this is the only way to write. Every writer must decide which techniques and approaches work best for him or her.”
Why do I believe that writing faster (in first draft) produces better writing for the vast majority of writers? Several reasons: When you write quickly, you write freely, shedding your inhibitions. Writing quickly, you silence the inner critic—that nagging voice within you that causes you to doubt yourself, the voice that says, “What will people think if you write that?” When you write slowly, you write from the intellect, you write from your inhibitions, you write from your fear of being rejected and criticized. But when you write quickly, shedding your conscious inhibitions, you tap into the power of your unconscious mind, the source of your creativity, imagination, and dreams.
My study and experience confirm that fast writing is powerful writing. The writers I have admired most—Madeleine L’Engle, Ray Bradbury, Stephen King, Ursula Le Guin, John Steinbeck, Raymond Chandler—always wrote their first drafts with remarkable speed.
As Ray Bradbury observed in a 1987 essay, “In quickness is truth. . . . The more swiftly you write, the more honest you are. In hesitation is thought. In delay comes the effort for a style, instead of leaping upon truth which is the only style worth deadfalling or tiger-trapping.” And John Steinbeck said, “Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. . . . [Writing slowly] interferes with flow and rhythm which can only come from a kind of unconscious association with the material.”
The faster you write, the better you write. I admit this principle doesn’t hold true for everybody—but it is such a powerful writing principle that I hope every serious writer at least explores the possibilities of writing in overdrive.