Stephen King, in his book On Writing: A Memoir of the Craft, talked about his need for speed as a writer. He set a daily goal of ten pages per day, or about 2,000 words. This would add up to about 180,000 words over three months — and three months, he said, was the maximum anyone should take to write the first draft of a novel. Any longer than that and the story begins to go stale in the writer’s imagination. “Only under dire circumstances,” he observed, “do I allow myself to shut down before I get my 2,000 words.” He wrote one dystopian science fiction novel, The Running Man, in a single week.
King described the euphoric sensation of being in a creative flow and writing quickly: “With the door shut, downloading what’s in my head directly to the page, I write as fast as I can and still remain comfortable. Writing fiction, especially a long work of fiction, can be a difficult, lonely job. It’s like crossing the Atlantic Ocean in a bathtub. There is plenty of opportunity for self-doubt. If I write rapidly, putting down my story exactly as it comes into my mind, only looking back to check the names of my characters and the relevant parts of their back stories, I find that I can keep up with my original enthusiasm and at the same time outrun the self-doubt that’s always waiting to settle in.”
Stephen King knows. The faster you write, the more confidently you write. You must write fast enough to stay ahead of the doubts. When you write quickly, when you enter that inspired state of creative flow, you’ll find you write brilliantly.
Detective fiction writer Raymond Chandler put it this way: “The faster I write the better my output. If I’m going slow, I’m in trouble. It means I’m pushing the words instead of being pulled by them.” So let your words pull you. Let your creativity and confidence flow through you. Write brilliantly. Write fast. In Writing in Overdrive, I’ll show you how.